{"id":3738,"date":"2021-07-05T10:55:09","date_gmt":"2021-07-05T07:55:09","guid":{"rendered":"https:\/\/korsunzapovidnyk.com.ua\/exhibition-ukrainian-dance-the-weapon-of-the-grand-maestro\/"},"modified":"2021-07-05T11:59:56","modified_gmt":"2021-07-05T08:59:56","slug":"exhibition-ukrainian-dance-the-weapon-of-the-grand-maestro","status":"publish","type":"post","link":"https:\/\/korsunzapovidnyk.com.ua\/en\/exhibition-ukrainian-dance-the-weapon-of-the-grand-maestro\/","title":{"rendered":"Exhibition &#8220;Ukrainian Dance &#8211; the weapon of the Grand Maestro&#8221;"},"content":{"rendered":"<p>The Museum of the History of the Battle of Korsun-Shevchenkivskyi has created an exhibition &#8220;Ukrainian Dance &#8211; the weapon of the Great Maestro&#8221;, dedicated to the outstanding choreographer and dancer Vasyl Avramenko.<br \/>\nVasyl Avramenko became the founder of a new direction in the art of dance &#8211; stage folk choreography. He was the first to bring Ukrainian dance to the stage as a separate genre of art. He has toured many countries with his folk dance ensembles. And the goal was one: to demonstrate to the world the beauty of Ukrainian dance, to declare Ukraine. Before the beginning of each performance of the dance group, Vasyl Avramenko said: &#8220;Ukrainian dance is not nonsense, it is the main manifestation of our culture, it is a national weapon!&#8221;.<br \/>\nThe golden fund of Ukrainian culture includes choreographic works by Vasyl Avramenko &#8211; &#8220;Hopak Kolom&#8221;, &#8220;Hopak Parubotsky&#8221;, &#8220;Easter Gaivka&#8221;, &#8220;Metelitsa&#8221; and others. The artist published the book &#8220;Tankis, Music and Order&#8221; in his own edition, in which he summarized his unique practical experience as a dancer and choreographer.<br \/>\nThe exhibition &#8220;Ukrainian Dance &#8211; the weapon of the Grand Maestro&#8221; presents 30 exhibits from the stock collection of the Reserve, which tells about the creative path of Vasyl Avramenko.<br \/>\nThe organizer of the exhibition is Larysa Grebenichenko, a junior researcher.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The Museum of the History of the Battle of Korsun-Shevchenkivskyi has created an exhibition &#8220;Ukrainian Dance &#8211; the weapon of the Great Maestro&#8221;, dedicated to the outstanding choreographer and dancer Vasyl Avramenko. Vasyl Avramenko became the founder of a new direction in the art of dance &#8211; stage folk choreography. He was the first to [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":3394,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[12],"tags":[],"class_list":["post-3738","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-exhibitions"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v25.0 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Exhibition &quot;Ukrainian Dance - the weapon of the Grand Maestro&quot; - Korsun-Shevchenkivskiy State Historical and Cultural Preserve<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/korsunzapovidnyk.com.ua\/en\/exhibition-ukrainian-dance-the-weapon-of-the-grand-maestro\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Exhibition &quot;Ukrainian Dance - the weapon of the Grand Maestro&quot; - Korsun-Shevchenkivskiy State Historical and Cultural Preserve\" \/>\n<meta property=\"og:description\" content=\"The Museum of the History of the Battle of Korsun-Shevchenkivskyi has created an exhibition &#8220;Ukrainian Dance &#8211; the weapon of the Great Maestro&#8221;, dedicated to the outstanding choreographer and dancer Vasyl Avramenko. Vasyl Avramenko became the founder of a new direction in the art of dance &#8211; stage folk choreography. 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